Showing posts with label upmarket fiction. Show all posts
Showing posts with label upmarket fiction. Show all posts

Friday, June 12, 2020

Interview with writer Donna Koros Stramella

Today’s special guest is Donna Koros Stramella. She’s chatting with me about her new women’s fiction, Coffee Killed My Mother.

Bio:
Donna Koros Stramella is a writer from Maryland whose fiction and nonfiction pieces have been published in Adelaide Literary Magazine, Scarlet Leaf Review, Columbia Magazine, and the Baltimore Sun. She is a previous award-winning journalist and a graduate of the University of Tampa MFA in Creative Writing. Currently, she is working on her second novel, Among the Bones.

Welcome, Donna. Please tell us about your current release.
Coffee Killed My Mother explores the story of an unusual mother-daughter relationship, told through the eyes of an anxious 17-year-old Anna Lee. Her life is stuck, largely because of her strained relationship with her mother Jacqueline, a quirky recovering alcoholic who is now addicted to coffee. The two take off on a trip to explore independent coffee shops along the east coast, but Jacqueline's real agenda is an opportunity to reveal a series of disturbing family secrets to Anna Lee--a twin who died in utero, a fatal drunk driving accident, an abusive parent, and her mother's betrayal of a woman Anna Lee holds dear.

What inspired you to write this book?
As a mother and a daughter, I’ve always been interested in the special relationships between mothers and daughters. I wanted to examine how the relationship between two wildly different individuals would be affected by long-held secrets.


Excerpt from Coffee Killed My Mother:
In this excerpt, a young Anna Lee uncovers one of her mother’s secrets:

When I was 11, the city of Northern Beach started curbside recycling. The earth-conscious residents of the town no longer had to separate their plastic and paper and tin, then drive it to the large white bins near the library. After my mother’s nail snagged on the corner of the plastic, the curbside responsibility was passed to me.

On the first night of my duty, I discovered a secret. As I pulled the heavy square bin behind me, I heard the sound of rolling, then glass clinking beneath the flattened cereal boxes and newspapers. At the end of our two-car-length driveway at the curb beside the mailbox, the street light and crescent moon gave me just enough light. I moved the cardboard and paper back to see what made the sound. Wine bottles. A dozen or more. Maybe my mother had saved them up, I’d reasoned. Maybe she’d planned to do something with them and had them stashed away. I never saw her drink wine, although occasionally, I’d see a wine glass in the sink or drying on a countertop towel.

The next week, I figured the bin would be lighter. But it wasn’t. Each week at the mailbox, I’d get a sick feeling in my stomach as I pulled back the stuff on top. And there they were. Fourteen, fifteen, sixteen wine bottles. The most was eighteen. I turned them over to read the labels: Pino Noir and Pino Grigio. Sauvignon Blanc, and Cabernet Sauvignon. And lots of Sangria. The yellow price stickers revealed my mother’s top criteria for her selections—nothing over $10.

Week after week, I’d drag that bright yellow bin to the curb, the bottles rolling around like bowling pins that had been knocked down.


What exciting story are you working on next?
I’m about one-third into my next novel, Among the Bones. Set in the Pacific Northwest, the story features a group of diverse residents in a wildly unusual community, all looking to escape something from their past. There’s a series of murders that simmer in the background of the story, but ultimately move to the forefront.

When did you first consider yourself a writer?
I wrote for a couple school newspapers, starting in grade school. I think the first time I saw my story in print, I knew I was a “real” writer. Although I’ve been blessed to work as a writer for most of my career, the title “author” eluded me until this year.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
I worked full time while writing my first book, which was a challenge. I started the book during the last term of my MFA program at University of Tampa. My time in that program not only greatly improved my writing, but also helped me develop a dedicated writing schedule. Now I’m only working part-time, which gives me more time for the new novel. Since my “outside” work has also been as a writer, I sometimes found it hard to sit down and dedicate myself to creative work after I’d been writing all day at my job.

On the days that I’m writing, I get up early and work in a quiet space that I’ve set aside. On a good day, I’ll write for a full eight hours. On a day when the warm weather and sunshine is calling me outside, I’ll work for a minimum of three hours. I write most weekdays and sometimes on Saturday.

What would you say is your interesting writing quirk?
I have a couple of candles on my desk from my daughters—one labeled “rich coffee aroma” and the other “bookstore.” Even if I don’t light them, I’ll open the lid and sniff when I need a bit of inspiration! When I’m really stuck, I’ll take a short walk and send up a prayer. If the candle doesn’t work, the prayer always does!

As a child, what did you want to be when you grew up?
For as long as I remember, I wanted to be a writer, so much so that when I was young, I asked Santa for a desk and a typewriter—which I received. I’ve always had an active imagination, always thinking—what if this situation had gone in another direction? My nightly dreams are colorful and vivid and I’m often jotting them down when I wake. I see those dreams as gifts from above.

Anything additional you want to share with the readers?
Like most authors whose books were recently published, I’ve had to switch gears. My marketing strategy was based mainly on events in New York City, Baltimore, and DC. I’ve had to transition quickly and have been so fortunate to receive support from others—especially bloggers (thank you, Lisa!). I’ve had reviewers suggest my book is a good fit for book clubs, and I’d love to provide discussion questions and “zoom in” to virtual meetings.

It’s a great time to read something new, and I’ve been opening myself to read new genres. I try to do my part by promoting the work of other authors on my FB page. It’s a big supportive community, and I’m glad to be a part of it!

Links:

Thanks for being here today, Donna!

Friday, September 1, 2017

Interview with novelist Dawn Reno Langley

Novelist Dawn Reno Langley wraps up the week with me while talking about her new literary/upmarket fiction, The Mourning Parade.

Bio:
A writer, theater critic, mosaic artist, and educator, Dawn Reno Langley has devoted her life to literature and the arts. Born an Army brat to a WWII and Korea vet and his wife, Dawn spent her childhood scaring her younger siblings with stories of monsters under the bed. Her first published work, an essay on the Cuban missile crisis, revealed a deep sense of social justice that has never waned. Since then, she has written extensively for newspapers and magazines, has published more than 30 books (children’s, adult novels, and nonfiction), and has also published award-winning short stories, essays, and poetry, as well as theater reviews and blogs. A Fulbright scholar with an MFA in Fiction and a PhD in Interdisciplinary Studies, Langley lives in Durham, North Carolina, a small city where people present her with new stories every day. She is always amazed that one finds most stories in small places rather than large cities, and she appreciates the warmth of the friends she has made in the town she calls “funky/artsy.”

Welcome, Dawn. Please tell us about your current release.
The Mourning Parade is the story of Natalie DeAngelo, a North Carolina veterinarian, who loses both of her sons in a school shooting, is hounded by the media, and suffers from PTSD. A year after the shooting, she takes her psychiatrist’s advice and volunteers at an elephant sanctuary in Thailand, thinking that she’ll go there to heal. Instead, she’s challenged by a cranky elephant named Sophie and is determined to solve the elephant’s issues, never realizing she’s also solving her own.

What inspired you to write this book?
Several moments in my life joined together to inspire this book. My mother always collected elephant doo-dads and told stories about why they held their trunks up and what kind of families they had. I thought that was silly, but after her death, I realized she knew a lot more than I gave her credit for understanding. When I went to Thailand with a friend many years after my mother’s death, I visited an elephant sanctuary in her honor. The connections I made with those huge gentle giants made me realize there was a story there.

I also am broken-hearted about the school shootings that have become so common in today’s society, and as a woman who has always disliked guns, I wanted to explore what it might be like to go through that horrible tragedy. I wanted to write a story that would not only examine that horrendous circumstance but also look at the ways in which people survive incredible grief.

What exciting story are you working on next?
I’ve been working on a novel I’m calling The Art of Brown Rivers. It’s the story of an interracial family that begins in 1957 and spans three decades. Naturally, there are a lot of historical elements included in the tale, but it’s also a love story that survives in spite of all of the barriers in the couple’s way. I’ve written the book as a series, but instead of going that route, I’m combining the three in one novel, sharing the tale from the three main characters’ points of view: the wife, Beth; the husband, Graham; and their son, Anthony.

When did you first consider yourself a writer?
I don’t remember when I was NOT a writer.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
Yes, I do write full-time. Even when I was working full-time, I wrote and published.

My day starts around 6-7 AM. I work until 10-11 PM. I am incredibly committed, so once I sit my butt in the chair, I don’t get up until whatever I have outlined for that day is complete. Usually, I work on the laptop during the day and finish my day writing some scenes by hand in bed. I have a goal to accomplish and haven’t yet missed my own self-imposed deadlines.

What would you say is your interesting writing quirk?
That’s a good question and made me think.

I’ve always written the bare bones of a story first, then go back to it, and through the editing process, I add on what I call the “muscles and flesh.” I find that I need to live with the characters for a while before I can write the scenes that truly bring them to life, so I guess the quirk is that I write via laptop first, then everything else is done by hand.

As a child, what did you want to be when you grew up?
I wanted to be a stewardess (what we called flight attendants when I was growing up) so that I could travel. One of the first adult books I read was Kon Tiki by Thor Heyerdahl. It was an exciting travel story that gave me the urge to discover other countries, and though the trip Heyerdahl and his partners made was on a raft in the South Pacific, I was thoroughly intrigued by the guts it took to explore the ocean in a way that was truly primitive. Their trip set something off in me that has not as yet been quenched. Being a stewardess seemed the perfect way to explore the world.

Anything additional you want to share with the readers?
I’ve been traveling the United States via Amtrak to connect with readers and writers throughout the past month. I’ve visited Boston, Chicago, St. Paul, Havre (Montana), Spokane, Seattle, Portland (Oregon), Healdsburg (California), San Francisco, Phoenix, Scottsdale, Houston, and New Orleans. And I’m not done! I’ll be meeting my North Carolina folks in August and September, then heading back up the East Coast for more events in September. I love talking about Asian elephants, PTSD, and the other themes in the book – primarily, the strength that mothers have – and it’s been extraordinarily uplifting to hear the ways this book has touched the people who have read it. I welcome the opportunity to connect with book clubs, writers’ groups, and other readers. If you love elephants or want to talk about the hot-button topics this novel raises, please get in touch with me!

Links:
Website | Book site | Facebook | Twitter | Instagram | Amazon

Thanks for being here today, Dawn!