Showing posts with label crime thriller. Show all posts
Showing posts with label crime thriller. Show all posts

Wednesday, September 23, 2020

Interview with crime thriller author Dwayne Clayden

Crime thriller author Dwayne Clayden joins me today to chat about his new novel, Speargrass-Opioid.

Welcome, Dwayne, please tell us a little bit about yourself.
I was born and raised in Calgary, Alberta, Canada. In my 42-year career in emergency services, I served as a police officer, paramedic, tactical paramedic, firefighter, emergency medical services (EMS) chief, educator, and academic chair.


My first novel, Crisis Point, was a finalist for the 2015 Crime Writers of Canada, Arthur Ellis Awards.

I love to speak at conferences and to writing groups on writing realistic police, medical, and paramedic procedures.

I am the co-author of four paramedic textbooks and have spoken internationally at EMS conferences for the past three decades.

Please tell us about your current release.
Speargrass-Opioid is set in Great Falls, Montana, and on the fictional Indian Reservation, Speargrass.

Rodeo champion Franklyn Eaglechild finds his life upended when his bull-riding injuries force him into a new line of work as the Tribal Sheriff in Speargrass, Montana. His damaged health leaves him with a pill-popping problem and a dim future of lost dreams. While coping with his personal defeats, Franklyn quickly discovers not everyone in Speargrass is thrilled to have a new Sheriff in town looking into their business—especially not the drug dealers.

Franklyn makes enemies in high places when he refuses to play by the Tribal Chief’s rules. Friends are scarce. Lucky for Franklyn, he has at least one friend he can rely on—his adopted brother and DEA Special Agent Riley Briggs in Great Falls.

As an opioid crisis spirals out of control in and around Great Falls and Speargrass, Franklyn and Riley realize they need to join forces if there is any hope of putting an end to the destruction.

What inspired you to write this book?
There were three reasons I wanted to write this novel. First, I was directly involved in the carnage the opioid crisis has created.

Second, based on my experience working on a First Nation, I saw first-hand addictions, death, and destroyed families.

Third, I am a big fan of Craig Johnson and his Longmire novel series, and the TV show. I saw the opportunity to create my own characters and world. In Speargrass, Franklyn and Riley are protagonists 1a and 1b. They share equal time in the novel, in their own sphere, but come together to solve a critical problem.


Excerpt from Speargrass-Opioid:
Franklyn Eaglechild slumped on the examination table, legs over the edge, and stared at the row of X-rays.
“Remind me, how many previous fractures?” the doctor asked.
“About fifty.”
“All from rodeo?”
“No, some from hockey.”
The doctor sighed. “The body wasn’t meant to take this abuse. I’m amazed you’re still walking.”
“About that … the pain pills aren’t doing a lot. I need something stronger.”
The doctor turned and sighed. “Look, Franklyn, Oxycontin is all I can prescribe. I shouldn’t be doing that anymore.”
“What’s the option?”
“You gotta stop rodeo. Your next argument with a two-thousand-pound bull could be your last. Any subsequent fractures might not heal. Besides, you can hardly move. How would you dodge a bull?”
“Don’t ride bulls anymore.” Franklyn smirked. “Just steer wrestling.”
“Oh great, so you jump off a speeding horse to wrestle five hundred pounds of steer to the ground.” The doctor shook his head. “What could possibly go wrong with that?”
“Come on, doc, it’s all I know.”
“Why do you sell yourself short? A month ago, you said you were applying for a job. What happened with that?”
“It’s back on the rez.”
The doctor leaned against the wall and crossed his arms. “What’s wrong with that?”
Franklyn shrugged. “I haven’t been on the rez for twenty-five years.”
“But it’s home. You got folks there?”
“Nobody close. My parents died a long time ago. Grandparents, too. Don’t know if I’d recognize anyone.”
The doctor pushed off the wall and stepped over to Franklyn. “As I told you a month ago, rodeo is in your past. If you jump off another horse, you could be crippled for life.”
“No options?”
The doctor rolled his eyes. “What about the job?”
“Speargrass Tribe advertised for an arena manager.” Franklyn grinned. “But they offered me the job of sheriff.
“Are you kidding me?”
“Nope.”
“You got any experience?”
“Some,” Franklyn said. “I worked the Montana Highway Patrol. Primarily winter months after rodeo season.”
“That’s better than continuing rodeo and being crippled.”
“I didn’t think I’d get the job.” Franklyn held out his shaking right hand. “Will I be able to hold a gun?”
“You’ll be able to hold it, but I can’t guarantee you’ll be able to pull the trigger too many times. And you might not be accurate.”
“About the pain?”
“I’ll give you a two-month prescription for Oxy. But you must stop rodeo and take care of your body. Maybe try yoga.”
“Are you insane?”
“Hey, pro athletes swear by it. Give it a try.” The doctor grinned. “Lots of women go to yoga.”
Franklyn’s head jerked up. “Lots of women?”
“Lots.”


What exciting story are you working on next?
Crisis Point, OutlawMC, and Wolfman is Back are the first three novels in the Brad Coulter Crime Thrillers series.

The fourth novel in the series, 13 Days of Terror, is now back from my editor, and I am making the final changes before sending it for proof-reading. It will be released in November 2020. I am working on the fifth novel in that series, Goddess of Justice, which will be released in early 2021.

When did you first consider yourself a writer?
I have always loved reading. My earliest memories are of my mother reading the Hardy Boys to me. Then I read every one. In high school, I wrote Mad Magazine type spoofs and Saturday Night Live skits. In 2010 I started my first novel, Crisis Point. I realized I was a writer when I held the full printed proof in my hands for the first time.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
I am a full-time writer. My days start with coffee, the news, then to my writing cave. Around nine, I check emails and social media, and then by ten, I edit for the rest of the morning. After a lunch break, I then work on new chapters in the next novel. My most productive time for writing new material is from after lunch to midnight. Sometimes, after Valerie goes to sleep, I will write into the wee hours of the morning.

On a new novel, my goal is to write between 3-5,000 words a day for the first draft.

What would you say is your interesting writing quirk?
I use a lot of Post It Notes. My cave is covered with small notes, and large poster-sized notes with research, photos, and reminders. I still edit with paper (full of Post It Notes) and pen (a Bic four-color pen).

As a child, what did you want to be when you grew up?
High School Physical Education Teacher/Football Coach/Police Officer

I did two out of three—a cop and football coach.

Anything additional you want to share with the readers?
13 Days of Terror—4th in the Brad Coulter Crime Thriller series—Launching in November.
My next novel is in final edit.

Monday morning. A man drops dead in the parking lot of a car dealership in downtown Calgary. No one knows where the shot came from. No one knows why the victim was targeted. The shooter? Invisible.

An hour later, another body hits the ground. Random victim, random location.
A sniper is terrorizing Calgary.

Detective Brad Coulter has just returned to work after a long leave of absence. He is thrown directly into the fire and tasked with stopping what is rapidly becoming one of the city’s deadliest killers. The shooter leaves no evidence behind but taunts Brad with notes addressed directly to him. As the death count rises, city-wide panic ensues.

It is a race against time. But how can Brad hunt a ghost?

Links:


Thanks for joining me today!

Tuesday, April 14, 2020

Interview with novelist Kathryn Schleich

My special guest today is writer Kathryn Schleich. She’s chatting with me about her new crime thriller, Salvation Station.

Bio:
Kathryn Schleich has been a writer for thirty years. Her most recent publications include the short story “Reckless Acts,” featured in After Effects: A Zimbell House Anthology, and her story “Grand Slam,” published in The Acentos Review in May 2017. She is the author of two editions of the book Hollywood and Catholic Women: Virgins, Whores, Mothers, and Other Images, which evolved from her master’s thesis. Her guest posts have been featured on the Women On Writing blog, The Muffin, and she writes for the Amherst H. Wilder Foundation’s volunteer newsletter. When she’s not writing, Schleich is likely volunteering in the education and arts communities in the Twin Cities, where she lives. Friends, family, good food, wine, and traveling are important aspects of her life. Salvation Station is her first novel.

Welcome, Kathryn. Please tell us about your current release.
Salvation Station is a crime thriller published by She Writes Press.

Synopsis:
When committed female police captain Linda Turner, haunted by the murders of two small children and their pastor father, becomes obsessed with solving the harrowing case, she finds herself wrapped up in a mission to expose a fraudulent religious organization and an unrepentant killer.

Despite her years of experience investigating homicides for the force, Captain Linda Turner is haunted by the murders of the Hansen family. The two small children, clothed in tattered Disney pajamas, were buried with their father, a pastor, in the flower garden behind a church parsonage in Lincoln, Nebraska. But Mrs. Hansen is nowhere to be found—and neither is the killer.

In St. Louis, the televangelist Ray Williams is about to lose his show—until one of his regular attendees approaches him with an idea that will help him save it. Despite his initial misgivings, Ray agrees to give it a try. He can’t deny his attraction to this woman, and besides, she’d assured him the plan is just—God gave her the instructions in a dream.

Multiple story lines entwine throughout this compelling mystery, delving into the topics of murder, religious faith, and the inherent dangers in blindly accepting faith as truth. While Reverend Williams is swept up in his newfound success and plans for his wedding, Captain Turner can only hope that she and her team will catch the Hansens’ cunning killer—before more bodies surface.

Praise:

“Salvation Station is your next must-read mystery. Kathryn Schleich perfectly blends together a taut tale of murder in the church. A devilishly good tale.” —CARA LOCKWOOD, USA Today best-selling author of I Do (But I Don’t)

“Salvation Station is an edge-of-your-seat, page-turning thriller that might possibly leave you unable to sleep. This book is what we need in the world right now—a killer we can hate and a model cop we can get behind, showing us that women are as fierce as men and then some.” —MARGO DILL, Managing Editor, WOW! Women On Writing


What inspired you to write this book?
Two specific instances inspired Salvation Station. First, I worked with law enforcement trying to solve a suspicious death in my family (unfortunately we didn’t, too much time had lapsed). But I was fascinated with how the police actually work. And second, I was married to a Catholic deacon over 20 years. During that time, I witnessed first-hand a very dark side to religion. I’m not just speaking about hypocrisy among the ‘faithful’, but the often disturbing elements of lying, fraud, and taking advantage of others. Add to that the sex abuse scandal within Church. Other faiths have sexual outrages, but generally other religions are not the immense hierarchy the Catholic Church is and don’t merit the same amount of attention. What all these examples have in common I think is the inconceivable breach of trust, a major theme in the book.


Excerpt from Salvation Station:
His voice was as smooth as good Kentucky sipping whiskey, the southern lilt forceful yet refined. Among the crowd, a few responded, “Amen!” as the Reverend Ray Williams, his body six foot three inches of sinewy muscle, strode across the cramped stage on a mission to save and assessed his sparse flock. The set was tightly confined; on TV, the lighting, color, and camera angles would give the illusion of spaciousness.

“Remember what the Bible tells us in John, chapter eight, verse twelve. Jesus proclaims, ‘I am the light of the world! Whoever follows Me will never walk in darkness but will have the light of life!’ Believe in Him and I tell you, brothers and sisters, all who accept Jesus Christ will have everlasting life!”

Rev. Ray had done this work long enough to know everything looked better on television, except the numbers. For five years, he’d courted an audience from a low-power cable TV station in St. Louis, confident his message would attract followers looking for salvation. A couple thousand worshippers invited The Road to Calvary into their homes, but it wasn’t enough. He had spent more of his own money than he cared to admit; however, expenses kept rising, and there was relentless competition for viewers, members, and revenue.

Even now, Ray was conflicted in his decision to close what had seemed a promising venture. He’d never lost his enthusiasm or the feeling he was indeed proclaiming the word of God and news of salvation. Ray knew everyone was a sinner, including himself. He hoped The Road to Calvary would spur people to rise above their sins, accept the Good News, and find the true meaning of Christ in their lives. The reverend smiled warmly at his audience and motioned for them to stand. “Let us share our belief in Jesus Christ by praying together our prayer of deliverance.”

The congregation rose to their feet and repeated the words they had come to know by heart: “Lord Jesus, I believe in You. I believe You died for my sins and rose again to save me from a world mired in sin . . .”

At the prayer’s end, a cheerful male voice yelled off stage left, “That’s a wrap!”

The prayerful opened their eyes. Ray bid his flock goodbye. “Thank you for joining us, and see you next week for another taping.”


What exciting story are you working on next?
Currently, I have two short stories I’m seeking to publish. Later in 2020 or early 2021 I will rerelease Shades of Darkness, Shades of Grace, a novel which I published in 2008 under a pen name. It’s primarily a domestic thriller based on true events. The reviews have been so positive that I decided to relaunch the book for a larger audience. Lastly, I’m half-way through writing a mystery set in a rural college town.

When did you first consider yourself a writer?
I really considered myself a writer when I wrote my master’s thesis in the early 1990s on the image of Catholic women in Hollywood films. That evolved into my first book, Hollywood and Catholic Women: Virgins, Whores, Mothers, and Other Images. It’s essentially a college textbook which has been used around the country.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
I have a chronic illness, so often it depends on how I’m feeling. My goal is to write every day, but it’s not just my own pieces I work on. I’m very involved in volunteering with a local foundation (the Amherst H. Wilder Foundation in St. Paul, Minnesota) and I do quite a bit of writing articles on their programs and amazing volunteers for their newsletter and/or website. I also have my blog and other volunteer activities. 

What would you say is your interesting writing quirk?
I have to be by myself, with no noise or other distractions. When I see people happily writing away on their laptop in a coffee shop, I can’t for the life of me figure out how they do it.

As a child, what did you want to be when you grew up?
A nurse, like my mom, Louise. There was only one problem – I couldn’t stand the sight of blood!

Anything additional you want to share with the readers?
Thank you so much for featuring me on your blog, Lisa!

Links:

Wednesday, August 28, 2019

New interview with thriller novelist Stephen Clark


Novelist Stephen Clark joins me today to chat about his new crime thriller, Hands Up.

Bio:
Stephen Clark is a former award-winning journalist who served as a staff writer for the Los Angeles Times and as a politics editor for the Washington, D.C. bureau of FoxNews.com. Stephen grew up in the suburbs of Philadelphia and now lives in North Jersey with his wife and son.

Hands Up will be released on September 28th and is now available for pre-order at a special discount.

Welcome back to Reviews and Interviews. Please tell us about your newest release.
Hands Up follows three people who are on a collision course after a deadly police shooting spins their lives into chaos. Officer Ryan Quinn, who was on the fast track to detective until he shot an unarmed black male, embarks on a quest for redemption that forces him to choose between conscience and silence. Jade Wakefield, an emotionally damaged college student who lives in one of the city’s worst neighborhoods, wants to find the truth and get revenge after learning that there’s more to her brother’s death than the official police account. Kelly Randolph, who returns to his hometown broke and broken after abandoning his family 10 years earlier, seeks forgiveness while mourning the death of his son. But when he is thrust into the spotlight as the face of the protest movement, his disavowed criminal past resurfaces and threatens to derail the family’s pursuit of justice.    


What inspired you to write this book?
After a series of high-profile police shootings of unarmed black people in recent years, I wanted to examine race relations in America in a fresh way. A way that illuminated persistent challenges and evasive solutions. But instead of offering another tearjerker, fiery sermon or racial morality tale, I set out to create a unique story with unbearable suspense and memorable characters for an unforgettable experience.


Excerpt from Hands Up:

I’m not a murderer.
I’m not a murderer.
I’m. Not. A. Murderer.
Oh, who was I kidding? No matter how many times or ways I said that to myself in the bathroom mirror, it didn’t change the fact that I had just killed someone. A teenager. An unarmed black teenager. Yet everyone kept telling me not to worry: My partner. My superiors. The lawyer I just met. They all said it was a justified shooting. But truth be told, I wasn’t so sure about that. I wasn’t so sure about anything anymore – especially whether I’d get away with it.
I splashed some cold water on my face and studied my reflection in the grimy mirror. My eyes were bloodshot and my face paler than I had ever seen it. I looked like shit. Even worse, if I held my head at a certain angle, I resembled a mugshot of a deranged suspect I recently collared. I smoothed my close-cropped brown hair and tried to pull myself together, but my mind was still in a fog. I needed to snap out of it – and fast. Internal Affairs would arrive at my station any minute now.
As I wandered back to the interrogation room, adrenaline was still burning through my veins like a raging wildfire. I should’ve never agreed to do an interview so soon after the shooting. My partner convinced me I would be able to remember all the details better if I gave a statement right away. But I didn’t realize I would get caught up in a whirlwind of emotions after the numbness of the initial shock wore off. I tried to buy myself some time by telling the lawyer for the police union that I needed a few days before I’d be ready to answer questions. But Harrison Clyne advised me against delaying the interview because he thought it would look suspicious. Although I had just met him, I had complete confidence in Mr. Clyne. Maybe it was his graying temples, professorial glasses or formal manner of speech. Whatever it might have been that inspired confidence, it definitely wasn’t his shabby off-the-rack suit.
I hated the interrogation room we were waiting in. It reeked of body odor, stale cigarette smoke and burnt coffee. I looked around the poorly lit, windowless room and saw cigarette butts scattered on the floor. Even if I was a potential suspect in a criminal investigation, they didn’t have to treat me like a criminal. It was bad enough when my supervising sergeant took my .45 caliber Glock after escorting me back to the station. They could’ve held this interview in the carpeted conference room with the fancy swivel chairs that overlooked the parking lot. I suspected my bosses wanted to send me a message: I wasn’t going to get special treatment.
Finally, a man in a charcoal suit walked into the room and introduced himself as Nate Wiley, the internal affairs detective. My insides froze as soon as I saw that he was black. With supreme confidence and an unmistakable intensity, the detective took a seat in one of the metal folding chairs across from me and Harrison. Dark-skinned and bald with a vaguely sinister mustache, he appeared to be in his early 40s. He was articulate and polite, but I still didn’t trust him. There was no way he’d let me slide if I hesitated, even for the briefest second, in my recollection.


What’s the next writing project?
A missing girl thriller set in the Deep South with a deaf female protagonist.

What is your biggest challenge when writing a new book? (or the biggest challenge with this book)
The biggest challenge in writing Hands Up was depicting the harsh realities of policing and living in a high-crime neighborhood without perpetuating racial stereotypes or glorifying violence. Adding to that challenge was trying to navigate this current cultural minefield of extreme political correctness. In fact, my initial editor split with me over creative differences after taking offense to how some of the black characters spoke and were portrayed. This editor wanted everyone to speak the King’s English, but that’s not the world I recognize or want to portray. I believe as artists, we should strive for authenticity, no matter how controversial the subject matter.     

If your novels require research – please talk about the process. Do you do the research first and then write, while you’re writing, after the novel is complete and you need to fill in the gaps?
Research plays a never-ending role in my novels. From conception to outlining to writing and rewriting to final edits, I am constantly researching, among other things, the jobs my characters hold, the cities they live in and the specific incidents they’re involved in. For example, in Hands Up, I needed to learn everything I could about the administrative process for cops after they’re involved in controversial police shootings. My research aided me in every stage of the writing process and affected the events of the book from the very first chapter.

What’s your writing space like? Do you have a particular spot to write where the muse is more active? Please tell us about it.
It’s been said that a clean desk is a sign of a sick mind, and a messy desk is a sign of genius. So I’m happy to say that my writing space resembles a disaster area. In my house, I have a den all to myself for writing. But I’m not sure the isolation and relative silence is the best place for me to invoke my muse. I believe I was more inspired when I had to write my first novel and most of my second one amid chaos in a crowded living room of my apartment in the Bronx.     

What authors do you enjoy reading within or outside of your genre?
My good friend Jonathan Abrams recently released his second book, “All The Pieces Matter,” an oral history of The Wire, an HBO drama rightfully considered one of the best shows ever.  

Anything additional you want to share with the readers today?
Thank you so much for hosting me on your blog again and giving authors a platform to discuss their books. I hope to continue this discussion with readers on social media.  

Links:
Facebook | Twitter 

Thank you for coming back to Reviews and Interviews!

Don't forget! Hands Up will be released on September 28th and is now available for pre-order at a special discount.


Wednesday, June 20, 2018

Interview with mystery writer Mary Aalgaard


Today is the tenth interview in a series with the authors of

Tick Tock: A Stitch in Crime
An Insecure Writer’s Support Group Anthology



About the anthology:
The clock is ticking...

Can a dead child’s cross-stitch pendant find a missing nun? Is revenge possible in just 48 minutes? Can a killer be stopped before the rescuers are engulfed by a city ablaze? Who killed what the tide brought in? Can a soliloquizing gumshoe stay out of jail?

Exploring the facets of time, eleven authors delve into mysteries and crimes that linger in both dark corners and plain sight. Featuring the talents of Gwen Gardner, Rebecca M. Douglass, Tara Tyler, S. R. Betler, C.D. Gallant-King, Jemi Fraser, J. R. Ferguson, Yolanda Renée, C. Lee McKenzie, Christine Clemetson, and Mary Aalgaard.

Hand-picked by a panel of agents and authors, these eleven tales will take you on a thrilling ride into jeopardy and secrecy. Trail along, find the clues, and stay out of danger. Time is wasting...

“Each story is fast paced, grabbing the reader from the beginning.”
- Readers' Favorite, 5 stars

Founded by author Alex J. Cavanaugh, the Insecure Writer’s Support Group offers support for writers and authors alike. It provides an online database, articles and tips, a monthly blog posting, a Facebook and Instagram group, Twitter, and a monthly newsletter. www.insecurewriterssupportgroup.com

So far, we’ve had C.D. Gallant-King (on April 19), Gwen Gardner (on April 26), Jemi Fraser (on May 2), Christine Clemetson (on May 11), Rebecca M. Douglass (on May 15), Yolanda Renee (on May 23), J.R. Ferguson (on May 31), C. Lee McKenzie (on June 7), Tara Tyler (on June 13), and now Mary Aalgaard is here to chat about her crime thriller short story called “One More Minute.”


Bio:
Mary Aalgaard is a playwright and piano/theater teacher, living in the heart of Minnesota. She writes theater reviews and supports the arts through her blog Play off the Page. She teaches youth theater workshops in the Brainerd lakes area, writes articles for regional magazines, and works with both seniors and youth in multi-generational programs to enhance quality of life and build community. Her website is PlayoffthePage.com. You can follow her on her Play off the Page Facebook page, on Twitter, and email her at Mary@playoffthepage.com.

Welcome, Mary. What do you enjoy most about writing short stories?
A short story is like a scene in the life of the characters. It’s a brief, but significant, moment in time.

Can you give us a little insight into a few of your short stories – perhaps some of your favorites?
The short story I wrote for the Tick Tock: A Stitch in Crime anthology is about a woman who is making a major change in her life. She faces great danger in doing so and has a limited amount of time to pack up her life and leave.


What genre are you inspired to write in the most? Why?
I usually write plays and realistic fiction. This is my first story in the area of mystery/crime/thriller, although, it’s my favorite genre to read.

What exciting story are you working on next?
I’m writing a play inspired by my motorcycle adventures, as a passenger. I don’t ride my own, but my character might!

When did you first consider yourself a writer?
Well, I’ve always been a writer. I kept journals starting at around age 13. But, I first thought of myself as an author when I had my first article published in a local magazine called Her Voice.

How do you research markets for your work, perhaps as some advice for writers?
My best friend is a publicist, Krista Rolfzen Soukup, owner of Blue Cottage Agency (https://www.bluecottageagency.com/). She is a tremendous gift.

What would you say is your interesting writing quirk?
I’m very messy. I have notes scattered everywhere.

As a child, what did you want to be when you grew up?
A performer and a teacher. I’m a pianist and I also enjoy all aspects of the theater.

Anything additional you want to share with the readers?
All dreams take time and perseverance. Dare to rise to the challenge.

Thanks for being here today, Mary!

Tick Tock links:

Purchase links:

Thursday, June 7, 2018

Interview with mystery writer C. Lee McKenzie


Today is the eighth interview in a series with the authors of

Tick Tock: A Stitch in Crime
An Insecure Writer’s Support Group Anthology


About the anthology:
The clock is ticking...

Can a dead child’s cross-stitch pendant find a missing nun? Is revenge possible in just 48 minutes? Can a killer be stopped before the rescuers are engulfed by a city ablaze? Who killed what the tide brought in? Can a soliloquizing gumshoe stay out of jail?

Exploring the facets of time, eleven authors delve into mysteries and crimes that linger in both dark corners and plain sight. Featuring the talents of Gwen Gardner, Rebecca M. Douglass, Tara Tyler, S. R. Betler, C.D. Gallant-King, Jemi Fraser, J. R. Ferguson, Yolanda Renée, C. Lee McKenzie, Christine Clemetson, and Mary Aalgaard.

Hand-picked by a panel of agents and authors, these eleven tales will take you on a thrilling ride into jeopardy and secrecy. Trail along, find the clues, and stay out of danger. Time is wasting...

“Each story is fast paced, grabbing the reader from the beginning.”
- Readers' Favorite, 5 stars

Founded by author Alex J. Cavanaugh, the Insecure Writer’s Support Group offers support for writers and authors alike. It provides an online database, articles and tips, a monthly blog posting, a Facebook and Instagram group, Twitter, and a monthly newsletter. www.insecurewriterssupportgroup.com


So far, we’ve had C.D. Gallant-King (on April 19), Gwen Gardner (on April 26), Jemi Fraser (on May 2), Christine Clemetson (on May 11), Rebecca M. Douglass (on May 15), Yolanda Renee (May 23), J.R. Ferguson (on May 31), and now C. Lee McKenzie is here to chat about her crime thriller short story called “Heartless.”

Welcome, Lee. Please tell us a little bit about yourself.
I have a background in Linguistics and Inter-Cultural Communication, but these days I write for young readers. Some Very Messy Medieval Magick is the third book in the time-travel adventures of Pete and Weasel, with Alligators Overhead and The Great Timelock Disaster being the first two. Sign of the Green Dragon, another book for young readers, jumps into ancient Chinese dragon myths and a quest for treasure.

My young adult work is represented by Italia Gandolfo. I’ve published four young adult novels: Sliding on the Edge, The Princess of Las Pulgas, Double Negative, and Sudden Secrets. When I’m not writing I’m hiking or traveling or practicing yoga or asking a lot questions about things I still don’t understand.

What do you enjoy most about writing short stories?
They’re short. Seriously. After putting together 70K words and wrestling all those threads into a pattern that makes a good tale, I love the focus that the short story gives. Of course, that doesn’t make them easy to write, just a different challenge.

Can you give us a little insight into a few of your short stories – perhaps some of your favorites?
I loved writing Premeditated Cat (2011) and Matilijas (2018) and now Heartless. These are as different as any three stories can be. The first is about a teen escaping from a brute of a step-father. She applies her art talent that brings things to life and ends her oppressive situation at home. With Matilijas, I went a bit literary and into a grieving woman’s soul. Heartless let me expose my darker side with a touch of horror. I set this one during the great Chicago fire of the nineteenth century because I wanted a larger horror to loom over characters while they were up against the ticking clock to save a life.

What genre are you inspired to write in the most? Why?
I mostly write what the book business markets as Young Adult. Most of my readers are in their twenties, and I have some in their sixties, so the term “Young Adult” is quite broad. I like to write in this fiction category because it’s a time of life when there are so many choices, and it’s a time of life when there’s the greatest potential for the choices we make to impact the rest of our lives.

What exciting story are you working on next?
Right now, I’d say this thing I have under construction is far from exciting. It’s at the stage of “What was I thinking?” However, if I ever sort out the mystery of what to do next, this will be a Young Adult story about treating people badly because they’re different from us. I’m couching it in a ghostly fantasy, something I haven’t really tried in YA.

When did you first consider yourself a writer?
I’m still thinking about that. I’ve always loved to write, and it seemed like a logical extension of loving to read—the other side of the coin I guess you could say. I’m looking ahead now to when I can consider myself a good writer.

How do you research markets for your work, perhaps as some advice for writers?
I used to go to bookstores and look at the shelves. Since most of our bookstores are gone (insert a great lament here) Now I look at what’s being checked out at the library or what's being reviewed well on Amazon. If you can’t attend conferences, there are blogs that feature agents and editors. Those are great resources for writers to find out what people are interested in managing and selling.

What would you say is your interesting writing quirk?
I often write with my eyes closed. I learned two things by doing that: 1) I see the story so much better that way and 2) I should always make sure to have my fingers on the right keys before starting typing.

As a child, what did you want to be when you grew up?
An archeologist. I went around for years digging up stuff. I was actually fairly “successful” at discovering small artifacts people left behind. My mother didn’t apply the term successful, but she let me keep a lot of what I found. I called them buried treasures. The discovery of Troy and King Tut’s tomb had a powerful impact on me.

Anything additional you want to share with the readers?
Thanks for reading to The End. I hope you read and enjoy the collection of stories in Tick Tock: A Stitch in Crime. I’ve read all of them and they are quite good. I’m not just saying that because I have a place in the anthology. I’m very proud to be included among such strong writers.


Thanks for joining me today, Lee.

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