Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Monday, August 3, 2020

Interview with historian Lindsay M. Chervinksy

My special guest helping to kick off a new month and new week is Lindsay M. Chervinsky, Ph.D.. We’re chatting about her historical book, The Cabinet: George Washington and the Creation of an American Institution.

During her virtual book tour, Lindsay will be awarding a $50 Amazon or Barnes and Noble (winner’s choice) gift card. To be entered for a chance to win, use the form below. To increase your chances of winning, feel free to visit her other tour stops and enter there, too!

Bio:
Lindsay M. Chervinsky, Ph.D. a historian of Early America, the presidency, and the government – especially the president’s cabinet. She shares her research by writing everything from op-eds to books, speaking on podcasts and other media, and teaching every kind of audience. She is Scholar-in-Residence at the Institute for Thomas Paine Studies and Senior Fellow at the International Center for Jefferson Studies. Previously, she worked as a historian at the White House Historical Association. She received her B.A. in history and political science from the George Washington University and her M.A. and Ph.D. from the University of California, Davis. She has been featured in the Law and History Review, the Journal of the Early Republic, TIME, and the Washington Post. Her new book, The Cabinet: George Washington and the Creation of an American Institution, was published by the Belknap Imprint of Harvard University Press on April 7, 2020.

The New Criterion recently said of her book, “Fantastic…Unlike many works of popular history, The Cabinet never feels like hagiography. It lacks the reverence of works like Joseph J. Ellis’ Founder Brothers or the revisionist obsequiousness that now greets Alexander Hamilton’s name on stage…Chervinsky exemplifies the public-history ethos in her new book. The writing is clear and concise…She takes what could have been a dry institutional and political history of the Early Republic and transforms it into a compelling story of people and places.”

When she isn’t writing, researching, or talking about history, she can be found hiking with her husband and American Foxhound, John Quincy Dog Adams (Quincy for short).

Welcome, Lindsay. Please share a little bit about your current release.
The US Constitution never established a presidential cabinet―the delegates to the Constitutional Convention explicitly rejected the idea. So how did George Washington create one of the most powerful bodies in the federal government?

On November 26, 1791, George Washington convened his department secretaries―Alexander Hamilton, Thomas Jefferson, Henry Knox, and Edmund Randolph―for the first cabinet meeting. Why did he wait two and a half years into his presidency to call his cabinet? Because the US Constitution did not create or provide for such a body. Washington was on his own.

Faced with diplomatic crises, domestic insurrections, and constitutional challenges―and finding congressional help lacking―Washington decided he needed a group of advisors he could turn to. He modeled his new cabinet on the councils of war he had led as commander of the Continental Army. In the early days, the cabinet served at the president’s pleasure. Washington tinkered with its structure throughout his administration, at times calling regular meetings, at other times preferring written advice and individual discussions.

The book reveals the far-reaching consequences of Washington’s choice. The tensions in the cabinet between Hamilton and Jefferson heightened partisanship and contributed to the development of the first party system. And as Washington faced an increasingly recalcitrant Congress, he came to treat the cabinet as a private advisory body to summon as needed, greatly expanding the role of the president and the executive branch.

What inspired you to write this book?
I couldn’t figure out where the president’s cabinet came from, so I decided I’d try and answer that question. I was so surprised that the last book on the subject was published in 1912, so something new was long overdue!


Excerpt from The Cabinet:
When Washington and Knox arrived at Federal Hall at 11:30 a.m., the doorkeeper announced their arrival. Washington sat at the front of the chamber, and Knox took the chair to his right. Washington handed his remarks to Knox, who in turn handed them to Vice President John Adams. Adams read the statement, but as Senator William Maclay from Pennsylvania recalled, the senators could “not master . . . one Sentence of it.” Adams wasn’t known for his public speaking skills, but the senators’ struggles weren’t entirely his fault. The Senate gathered for their work in the large chambers that occupied the first floor of Federal Hall. Because of the August heat in New York City, the doorkeeper had opened the windows in search of a cooling breeze. But along with fresh air, noise from Wall Street’s pedestrians, carriages, peddlers, and horses flowed into the Senate chambers. The clamor overpowered Adams’s voice, so few senators could make out the words that Washington had carefully crafted. After a few complaints, Adams repeated the speech from the beginning. Washington’s remarks offered a brief synopsis of the current diplomatic state between the United States and the Southern Indians, and posed seven questions for the Senate to answer with an aye or a no.

Adams finished his recitation and sat. The seconds ticked by as the senators remained in awkward silence. A few shuffled papers or cleared their throats. Maclay speculated in his diary that his colleagues were so intimidated by Washington’s presence in the Senate chamber that they cowered in shameful silence. Eager to show that they could be active participants in the creation of foreign policy, Maclay stood up and suggested referring Washington’s seven questions to committee for discussion in detail. Washington lost his temper, stood up, and shouted, “This defeats every purpose of my coming here!” The senators fell into a stunned hush before Washington acquiesced to Maclay’s suggestion and offered to return to the Senate a few days later. Although he did return the following Monday, his first visit to the Senate was an inauspicious start to the executive-legislative relationship. As he returned to his carriage, Washington muttered under his breath that he would never return for advice. He kept his word—August 22, 1789, was the first and last time he visited the Senate to request guidance on foreign affairs. Unfortunately, the diplomatic challenges facing the United States during the Washington presidency were just beginning...


What exciting story are you working on next?I can’t quite get cabinets out of my system. I’ve become convinced that they are the best way to evaluate a president’s time in office and they reveal so much about leadership. So I’m comparing the cabinets of John Adams (one of the worst cabinets) and Thomas Jefferson (one of the best). But really, it’s a story of power, ego, and ambition and how presidents manage those things at the highest levels of government—so it should be very relevant for today.

When did you first consider yourself a writer?
I didn’t really consider myself a writer until I got my book in my hands. I know that sounds crazy, but I thought of myself as a historian and story teller, which I generally preferred to do with my voice because that came easier to me. Writing seemed like it was secondary or a requirement. But now I can’t get enough and I’ve fully embraced it as part of my identity!

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
I work as a historian full time, so a big chunk of the day is spent writing, whether that’s opinion editorials, articles, blog posts, or books. But I also spend a lot of time reading, researching, and working on other projects (like podcasts). I generally try and put my intellectually intensive work in the mornings when I’m sharpest, then save meetings, emails, and other busy work in the afternoon. I also try and block off at least one day a week to work on my book projects. Otherwise they will get pushed down the list in favor of smaller, easier-to-complete tasks.

But I’m also a big believer that if you have a flexible schedule, you should take advantage of it! Some days I just really need a break or need to work only half a day, then I’ll work in the evening or on the weekends if I’m feeling more motivated.

What would you say is your interesting writing quirk?
I love to write with noise. At home, I’ll listen to music, often with lyrics, and I love writing in coffee shops. The business and white noise really creates the perfect environment. In fact, silence is super distracting for me!

As a child, what did you want to be when you grew up?
First, I wanted to be a veterinarian. I love animals of all kinds and had a knack for caring for them. But I was terrible at biology, so that didn’t work. Then I wanted to be a lawyer (my dad, brother, and now husband are all lawyers, so that’s in my blood). But I realized that would actually make me really unhappy. So I started to explore what I could do with history, since I had been passionate about the subject since I was super small.

Anything additional you want to share with the readers?
I really appreciate their support! I didn’t realize until I published my own book how much time and effort it takes, nor how much it would mean to me to engage with readers and receive their reviews. I now try and leave a review for everything I read because I know how important they are! So I’m just really grateful for the opportunity to meet and chat with new readers!

Links:

Thank you for being a guest on my blog!


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Tuesday, July 21, 2020

Interview with novelist A. Gavazzoni

I’m happy to host author A. Gavazzoni today. She’s here to chat about her new action and mystery placed in a historical background, Sketches of Life.

During her virtual book tour, A. will be awarding a $10 Amazon or Barnes and Noble (winner’s choice) gift card to a lucky randomly drawn winner. To be entered for a chance to win, use the form below. To increase your chances of winning, feel free to visit her other tour stops and enter there, too.

Also, the book will be $0.99 at Amazon during the tour.

Bio:
A. Gavazzoni is a Brazilian writer, a former professor of law and has been a practicing lawyer for 28 years. Her first series of self-published novels, Hidden Motives: Behind the Door, Lara’s Journal, and The Brilliant Game, won several writing contests, gathered five gold medals, one bronze medal, five honorable mentions and was finalist of many great contests: B.R.A.G. medallion (Gold Medal); Book Excellence Awards (Two Gold medals); e-lite awards (Gold medal), Golden Book Award (Gold Medal); IPPY AWARDS (Bronze Medal), Readers Favorite (three honorable mentions); Paris Book Festival (Three honorable mentions); Eric Hoffer Book Award (Finalist); American Fiction Awards (Finalist); Indie Excellence Awards (Finalist); Independent Author Network (Finalist); Indie Excellence (Finalist); The IAN book of the year awards (Finalist); The Kindle-book award (semi-finalist).

Adriana speaks Portuguese (her native language), English, French, and Spanish and she loves to travel. Adriana loves to cook for her friends, to dance the tango, to work out, she is a voracious reader and a proud dog's mom of two girls, Juno and Charlotte.

Please share a little bit about your current release.
Sketches of Life is an action-mystery-romance that takes place in an historical setting, and it tells the story of people trying their best to survive in a world in turmoil due to World War II. Facing unfamiliar circumstances and days filled with challenges, the characters need to learn to adapt or die. Inspired by spy stories I’ve read, the book is filled with mysteries the reader needs to decipher and deals with complicated matters such as losing people you love, dementia, and fulfilling your dreams.

What inspired you to write this book?
Sketches of Life is the story of the grandmother of one of my main characters in my trilogy Hidden Motives. When I created Emma, I knew I had to write about her life because she was the perfect grandmother, and it is clear she has a mysterious past. I simply needed to tell about her life. Also, I was inspired by spy stories I’d read, and by the Mossad, which is a subject I love to read and watch movies about.


Excerpt from Sketches of Life:
Having nobody else in the world and nothing to lose is terrifying, but it’s also liberating. No matter what I had to do, I would have the courage. I couldn´t disappoint anybody, nobody would cry over my actions, and I had nobody to please.

Things are as big as your proximity to them, and if you keep your distance, nothing can scare you or threaten you. Everything is just a matter of perspective, and the secret to surviving was to keep my heart safe and never expect anything from anyone. In the end, all feelings, good or bad, are only as powerful as you allow them to be.

I learned to live day by day, planning but not living for my plans, trying to solve just the problems I had in front of me and not worrying about things that hadn´t introduced themselves yet. As life had shown me, and Malena once told me, we had no control over the future, and it was as unpredictable as the ocean—it could drown a person if they thought they could tame it.


What exciting story are you working on next?
I’m working in the sequel to Sketches of Life and another book about life in Brazil.

When did you first consider yourself a writer?
When my first novel was published, that was one of the best days of my life.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
No, I’m an active lawyer, and I have to divide my time between my clients, my legal profession, and writing. I organized my schedule in a way that allows me to write every day. I also have other hobbies, such as amateur astrology and dancing. I love to cook for my friends, and I love to socialize and share a good laugh. I think it’s possible to do many different things; it’s all a matter of staying organized.

What would you say is your interesting writing quirk?
When I’m away from computer and have an idea, I send notes to myself. I’ll use my phone to send myself an email or text.

As a child, what did you want to be when you grew up?
So many things. A race car driver, a writer, an astronaut, a scientist, an engineer, a ballerina— all those things at once! But since I’m a writer, I can be all those things in my mind.

Anything additional you want to share with the readers?
I’m a very positive person, and I try to see the bright side of everything. Life is much easier when you do that.


The book will be $0.99 at Amazon during the tour.

Thank you for being a guest on my blog!

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Tuesday, May 26, 2020

Interview with MG historical novelist Rob Currie

Today’s special author guest is Rob Currie. We’re chatting a bit about his new middle-grade historical, Hunger Winter: A World War II Novel.

During his virtual book tour, Rob will be awarding a $10 Amazon or Barnes and Noble (winner’s choice) gift card to a lucky randomly drawn winner. To be entered for a chance to win, use the form below. To increase your chances of winning, feel free to visit his other tour stops and enter there, too!

Bio:
Life conspired to get Rob Currie to write Hunger Winter: A World War II Novel. His father is a World War II veteran and his wife is Dutch. An award-winning author, it was only a matter of time before he would focus his writing on World War II. Research for Hunger Winter included numerous books, interviews with Dutch WWII survivors, and three weeks in the Netherlands. His investigation revealed astonishing details about the Dutch experience of the war, which begged to be turned into a book.

Born and raised in the suburbs of Detroit, he graduated from Cornerstone University and went on to earn a master's degree and doctorate in psychology from St. Louis University. He has taught psychology at Judson University since 1987. His hobbies include playing basketball, cooking, and writing poetry.

Welcome, Rob. Please share a little bit about your current release. What inspired you to write this book?
Life hoodwinked me. When my seventh-grade son showed me a short story he’d written about World War Two, I suggested that he and I could take turns writing the rest of the story. He enthusiastically agreed so I took the first writing turn. My son soon lost interest, but as I did research, my fascination grew as I discovered the poignant hardship and heroism of the Dutch and realized their stories demanded to be shared. It was a fulfilling yet challenging experience because you do not simply write a novel so much as you wring it out of your soul.

Now that the book has been finished, I’m hearing from many kids and in some cases their parents, how much they are enjoying the book. For example, a fourth grader said, “Out of 10 stars I would give it 11.” A sixth grader said, “Tell him to write another book. I’ve recommended Hunger Winter to my friends.”


 Excerpt from Hunger Winter: A World War II Novel:
     As the soldiers let them through a gate, Els’s mind raced. She’d been delivered from death, but what lay ahead? Nothing the enemy had in mind could be good. Her legs trembled as rifle butts and curses herded her and the other prisoners into the back of a Gestapo van. Unseen hands slammed the back door and locked it with a metallic clank.
     The captives collapsed on the floor from physical and mental fatigue, but they soon found their voices. One man said that because his family had hidden Jews, soldiers gave them only twenty minutes to gather a few essentials before being taken into captivity. In addition, the Nazis gave their house away to new residents and ordered the man’s children to arrange bouquets of flowers for the newcomers. A murmur of sympathy rippled through the group.
     A woman said the Gestapo had arrested her for naming her pig Hitler. With voices hoarse due to their emaciated condition, the captives howled with glee, and happy tears flowed. When the merriment ended, someone said, “I bet your pig had better manners than Herr Hitler,” and the laughter exploded again.
     “And I bet the pig had a better mustache, too,” Els added. She laughed so hard her sides hurt.
     Minutes later the van stopped and the door swung open.
     “Where are we?” a woman asked as she peered at a large building.
     “Nowhere we want to be,” Els answered. She lowered her voice. “Stay strong. And don’t tell them anything.”


What exciting story are you working on next?
I am doing research for a sequel. Possibilities include how the Dutch Resistance fought against the Germans’ super weapon which was the V2 rocket. It weighed 14 tons and travelled at over three times the speed of sound so you couldn’t see it in time to shoot it down. Many of these super weapons were launched from the Netherlands, where my story takes place.  

When did you first consider yourself a writer?
God bless Miss Ballard, our high school English teacher, who taught us creative writing. After I completed a few of her creative writing assignments, I was hooked. She knew her stuff and was very encouraging.

If you don’t write full-time, what do you do other than write and how do you find time to write?
I teach psychology at the college level so most of my writing time comes in the summer when my life drastically changes. I don my “writing super hero” costume—ordinary shorts and a t-shirt, before biking 40 minutes to the office to get my heart rate up and pump oxygen to my brain. Then I immerse myself in the story, researching, writing, and rewriting. Someone once said the soul of writing is rewriting. That is the bare truth. It’s the hardest and most satisfying aspect of the work to struggle, strain, and finally know you nailed it.

What would you say is your interesting writing quirk?
 I drink one hundred ounces of water per day because water significantly clarifies the thinking.

As a child, what did you want to be when you grew up?
I was the oddball kid in my class who never knew what career he wanted. All my friends in elementary school knew, or thought they knew, that they wanted to be police officers or teachers or whatever.

Anything additional you want to share with the readers?
Hunger Winter is grabbing and holding readers’ interest. Thirteen-year-old Tom read Hunger Winter and a month later when he was assigned to pick another novel, he told his dad “I want another book like Rob Currie’s.” Eleven-year-old Paige read it and said, “I never thought I’d be interested in WWII but now I really am.” Fifty-nine-year old Bob read Hunger Winter and said it is the first book he has read all the way through since he graduated from college.

Links:

Thanks for joining me today, Rob.


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Monday, March 23, 2020

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Friday, March 20, 2020

Interview with spec fic author Richard Hacker

My special guest today is novelist Richard Hacker. He’s chatting with me about his new speculative fiction and book 2 of the Alchimeia series, Vengeance of Gimbald. It’s a cross of sci-fi, thriller, and historical fiction.

During his virtual book tour, Richard will be awarding a $25 Amazon or Barnes and Noble (winner’s choice) gift card to a lucky randomly drawn winner. To be entered for a chance to win, use the form below. To increase your chances of winning, feel free to visit his other tour stops and enter there, too.

Bio:
Richard Hacker, lives and writes in Seattle, Washington after living many years in Austin, Texas. In addition to the science fiction/fantasy novels of The Alchimeía Series, his crime novels ride the thin line between fact and fiction in Texas. Along the way, his writing has been recognized by the Writer’s League of Texas and the Pacific Northwest Writers Association. As a judge in literary contests shuch as PNWA and ChicLit, and as a freelance development editor, he enjoys the opportunity to work with other writers. In addition, he is the Sci-Fi/Fantasy editor for the Del Sol Review. Die Back was his first novel in the Alchimeia series.

Welcome, Richard. Please share a little bit about your current release.Battling evil through time and death.

Six hundred years after a fifteenth century scryer gains the alchemical knowledge to create a dark future in his own image, Addison Shaw inherits a destiny: to fight this ancient war that threatens all he loves with extinction. Using an alchemical pen, he writes himself into past lives, leaving his body in the present. Upon completion of his mission, he must die in order to break the link and return home. Addison, and his inking partner, Jules, are members of the League, a secret alchemist society of Inkers who protect the time continuum. They believe they defeated their enemy, Cuthbert Grimwald, known to them as Kairos. When he resurfaces filled with vengeance, intent on destroying the League, and acquiring the Alchimeia, a book of such power the League has hidden it for millennia, Grimwald leaves a path of destruction across centuries. As he quests for absolute control of reality, Addison and Jules pursue him through time and death in a desperate struggle to save the world from his vengeance.

What inspired you to write this book?
This might sound odd, but it started with a fountain pen. I was holding a fountain pen one day and my mind wandered to the power of words. Human beings have been naming things since the beginnings of language. It’s how we find our place in the world and in some cases I think, gives us a sense of control. Or at least the illusion of control. So, what would happen if a character had a pen filled with alchemical ink that when he wrote the name and a date for someone living in the past, his consciousness would be transported into that person? What would he do with that astounding capability? And as with most technology, what if someone decided to use the alchemy to acquire power and control time itself? How would the protagonist fend off this attack on the time continuum and reality as he knows it? And then I put the fountain pen down, pulled at the laptop, and started writing.


Excerpt from Vengeance of Gimbald:
This is an excerpt from a chapter early in the book. I’ve included it because I think it introduces the idea of die back and ripping, which happen often in the book, as well as a taste of the relationship between the inking partners Addison and Jules.


I rise from the ground and the world spins. I close my eyes to make the carousel stop. When I open my eyes again, I catch something in my peripheral vision–a cop? No. Crap. An Incan warrior with a spear in one hand and a copper and wood shield in the other walking with purpose toward me. His copper chest armor clatters softly with his gait. He looks pissed. I drop the stone, reaching for the sword. If I’m in armor, shouldn’t I have a sword? I find the hilt in my hand, but before I can remove the blade from its scabbard, he speaks–in English.
“What are you doing?” He drops his shield and shoves me. Hard. I crash up against the wall. The man’s face is a scowl, nostrils flared. He bangs on my chest armor with a fist.
“Addison, what the hell are you doing?”
Jules? Crap.
“Come on genius. Speak.” She drives the point of her spear into the ground beside our feet.
I left Jules in Peru. This is the Jules from a different continuum. 2.0. Yeah, Jules fucking 2.0. “How’d ya find me J2?”
“I went by the house, mi amigo. If you’re going to ink without anyone knowing about it, you might try somewhere other than your study. And who the hell is Jay Two?”
“I don’t have to defend myself to you. You think you can just waltz into my house anytime you want?”
“I found you by a bottle of whiskey. Thought you were passed out until I saw the pen in your hand. God, you reek. Did you throw up on yourself?” She shoves me again, then paces away. “I told myself that my inking partner wouldn’t be stupid enough to drunk ink.” She turns back, glaring. “Obviously, I was wrong.”
“You stalking me now?”
She paused, her eyes fixed on me. “Why are you here?”
“I just had a loose end to tie up. That’s all.”
“You’ve got to be kidding.” She grabs my arm. “You ink a fucking conquistador five hundred years in the past to tie up a loose end? If Nikki finds out about this she’ll be tearing you a new asshole.”
“I just wanted to set something right.”
“First of all, Einstein, what is there to set right?”
“What’d you mean?”
“Maybe you should tap into Pizarro’s consciousness,” she slaps me repeatedly on the head, “to find out what the hell you’re doing. You did ink into him, you know. Pizarro has slogged for days through the mountains from the sea to this place.”
“Yeah, Machu Picchu.”
“Addison, we’re in Cajamarca, Did you also sleep through every history class you’ve ever taken?”
“Cajamarca?” This can’t be right. I need to be in Machu Picchu to save Jules. Well not Jules 2.0 going all ape shit on me, but my Jules. The Jules I left in Peru in another continuum.
She smacks my chest plate again, holding me against the wall. “Yes! Pizarro captures the Incan Emperor and it all goes downhill from there. I just got here a few days ago–wanted to be sure what I was getting myself into, waiting for you to show up in Pizarro–and I swear to God, if I eat another sweet potato, I’m going to puke.”
“Jules, just leave me alone.”
“Addison, you can’t do this. You’ve got to die back.”
I push her away. “Well, you’re here too.”
“The Spaniards hack my guy to death tomorrow morning. Pizarro doesn’t die until 1541. Do the math, Addison. Just being here could alter the time continuum. You know as well as I do that every mission we run is carefully planned. I don’t think emptying a bottle of whiskey qualifies as careful planning. Do you?”
I wrench her hands away. “Don’t you get it. I’ve lost too much, made too many mistakes. If I can set something right, I’ve got to try.”
She lowers her voice. “I don’t know everything you’ve been through, but you won’t talk about it. So, it’s a bit difficult for me to sympathize.”
“I don’t need your sympathy.”
“Fine. But whatever you’re up to, what do you think is going to happen?”
She’ll never understand. Not Jules 2.0. “I just wanted to fix it.”
“Addison, listen to yourself. Would you let me keep my mother from being murdered, knowing if I did, the continuum would shift in ways we couldn’t anticipate?”
“This is different.”
“How is this different? You told Nikki and me how things spiraled out of control because you kept trying to ink your way to a fix. Remember? You just managed to pull off a reset before you were nuked to oblivion and the rest of us were lost in time and space. So don’t tell me this is different.”
“Jules…” She doesn’t understand. She doesn’t know about Peru. “I’m not leaving.”
“You can’t, Addison. I won’t let you.”
With a suddenness I don’t anticipate, a blade flashes in the warrior’s hand as Jules slashes the side of her neck. The Incan’s carotid artery gushes blood. Our eyes lock.
“Sorry, Addison, but you know I’m right.”
I put a hand to her gaping wound, but there’s nothing for me to do. The warrior’s eyes fade and he falls to the ground. Jules has died back. What is she up to?
She’s going to rip me. Son of a bitch. “Jules! DO NOT…!”

***

Jules opened her eyes to the study, rubbing her arms to find some warmth against the memory of cold Andean mountain air. Addison sat motionless, still in an inking trance across the desk from her. Finding him in the study with a nearly empty bottle of whisky could have only meant trouble. IUI, Inking Under the Influence, was high on Nikki’s list of severely punishable offenses. So Jules had inked after him hoping to get him back before Nikki discovered what he was up to. Drunk inking. What, are we in high school or something? And what’s the deal with Pizarro? And who the hell is J2?
She reached into her backpack where she kept some makeup, a couple of energy bars, a small nylon shopping bag, her iPad, and a ‘rip kit’. Jules unzipped the black leather kit, spreading it open on the desk. Passing over a variety of cables, electrical plugs, and pliers, she picked up a stun gun. Checking to be sure it was charged, she pressed it against Addison's exposed neck and pulled the trigger.
Pzzzttt.
His body, still seated in his chair, jerked, then collapsed over the desk. She put the stun gun back in the kit, zipped it closed and walked around the desk, where she slipped the kit into her backpack.
Ripped from the inking, Addison startled, clutching his throat. “Do not rip me, dammit! NO!” His eyes wandered as his mind, floating in an alcohol induced haze, tried to connect with the present. He took a deep breath, his gaze rising to meet Jules’, then he vomited across the desk.


What exciting story are you working on next?
I’m currently working on the third book in the Alchimeia series—untitled at this point. And I’ve got another project I’ve worked on and off over several years, a humorous science fiction story along the lines of Tom Holt’s novels, called The Bifurcation of Dungsten Crease. The initial draft with a different title was selected as best science fiction novel by the Texas Writers League way back in 2010. So I’ve come back around to it and will publish this year. Hopefully, Book 3 of the Alchimeia will be out in 2021.

When did you first consider yourself a writer?
I say in the third grade. Other kids were bringing various things to show and tell: steam engines, mice, grandfather’s watch. I brought short stories.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
Yes, I write full-time these days, but in a rather eclectic way. My day is usually divided into writing, music, drawing, cooking, and miscellaneous. So I reserve several hours each day for writing, usually in my study or I’m one of those guys you see at the coffee shop. I sing with a vocal jazz ensemble called The Offbeats, About an hour each day is used for rehearsal music. A couple of years ago I decided to re-awake my inner artist. I hadn’t drawn anything since I was about twelve and didn’t really think I could draw. I’ve been at it for a couple of years now and have gotten into urban sketching. Each day I try to either do some drawing at home, or go out in the field to do a sketch. And I absolutely love to cook. I’ve always got something going. I’ve recently gotten into bread baking.

What would you say is your interesting writing quirk?
Hmmm. I know folks who have to be in certain places or eating certain foods or drinking a double latte. I’ve made a conscious effort to write anywhere at anytime. I suppose the quirk would be that I will write anywhere at anytime. I’ve written on trains, planes, cars, buses; in coffee shops, restaurants, malls, churches, park benches, bathrooms, stadium stands; at all times of day and night. There’s a thing with urban sketching that you always carry a pencil and sketchbook with you so you’re always ready to draw. I try to keep the laptop close. You never know when an idea will come to you.

As a child, what did you want to be when you grew up?
Yes and no. I had ideas. I first wanted to be a jazz trumpet player after seeing Louis Armstrong. Then I was going to be a writer, then a scientist and for quite a while I was definitely going to be a doctor.

Anything additional you want to share with the readers?
Two things I’d like to add. First, the underlying message of the Alchimeia series is about courage and perseverance. When life looks hopeless, when everything seems to be turned upside-down, the people who make a difference are not superheroes, but people like you and me, who persevere in spite of the odds. And second, readers are the reason for the season. Without you, writers would be lonely people sitting in coffee shops pounding on laptops. With you, we become the tellers of fantastical stories, entertainers, philosophers, and poets. And together, a writer and a reader, we make magic. Thank you for sharing some of your life with me.

I hope you’ll check out Die Back and now book 2 of the Alchimeia series, Vengeance of Grimbald. Both are available on Amazon.

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Thank you for being a guest on my blog!


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Thursday, July 11, 2019

Interview with history and romance novelist Pamela Gibson


I’m happy to welcome novelist Pamela Gibson here today. She and I are chatting about her new Regency historical, Scandal’s Bride.

During her virtual book tour, Pamela will be giving away a $20 Amazon or Barnes and Noble (winner’s choice) gift card to a lucky randomly drawn winner. To be entered for a chance to win, use the form below. To increase your chances of winning, feel free to visit her other tour stops and enter there, too!

Bio:
Author of eight books on California history and twelve romance novels, Pamela Gibson is a former City Manager who lives in the Nevada desert. Having spent the last three years messing about in boats, a hobby that included a five-thousand-mile trip in a 32-foot Nordic Tug, she now spends most of her time indoors happily reading, writing, cooking and keeping up with the antics of her gran-cats, gran-dog, and gran-fish. Sadly, the gran-lizard went to his final reward. If you want to learn more about her activities go to https://www.pamelagibsonwrites.com and sign up for her blog and quarterly newsletter.

Welcome, Pamela. Please share a little bit about your current release.
Scandal’s Bride is the sequel to Scandal’s Child and follows the story of characters introduced in the first book. Lady Gwendolyn Pettigrew needs a husband and it won’t be the old rake her father has chosen. John Montague needs a wife with a dowry, but is sure no one will want to marry a penniless second son. When it’s suggested by the characters in the first book that they could solve each other’s problem, they agree to a marriage of convenience with certain stipulations. It seems perfect, until they discover there’s a catch. Gwen treasures the independence she’s been promised, but she also wants to be a mother. John, who spent months researching mental illness and looking for a suitable place to care for his deranged mother, does not want to bring children into the world. He believes madness may be inherited and after the horrors he’s witnessed, he refuses to take a chance. As the characters become friends and gain each other’s trust, their mutual attraction also grows. This becomes a major conflict in the book as their sexual tension is set among secrets and lies while battling an outside force that wants them to abandon their home in Yorkshire and return to London.

What inspired you to write this book?
This is my second Regency novel. The first was Scandal’s Child, intended to be a standalone. But while writing the epilogue an idea began to take form about a book for Lady Gwendolyn, a friend of the heroine in the first book. I also wanted to bring back the younger brother of the hero in the first book. I had planted a few seeds that could sprout into an intriguing plot. Scandal’s Bride was the result.


Excerpt from Scandal’s Bride:
He removed his waistcoat, laying it over the topcoat, and sat down opposite Gwen. “Gwen . . .”

“John.”

They both laughed, and it was a good feeling. He drained his wine glass. “Drink up. I want to talk to you before we retire.”

Her eyes widened, and her breath seemed to catch. Was she feeling faint? He certainly was. Why had he left this so long? Most people consummated their marriage the first night.

She picked up her glass and took a hefty swallow. Her cheeks were as pink as her dress, and she looked as good as an iced sweet in a bakery window, something he’d like to swirl his tongue around and gently taste.

Get on with it.

He took a deep breath, scooted his chair closer to hers until their knees touched, and took one of her hands in his. Her fingers were long and well-shaped. He wondered what they would feel like on his . . .

“Gwen . . .”

“John.”

They laughed again, and their merriment gave him an opening. He placed his hand behind her head, leaned in, and took her bottom lip in his mouth, nibbling as he watched her face. She was as wide-eyed as he was, not even trying to move away. Then her lashes fluttered, and her eyes closed as she moved closer, inviting him to deepen the kiss. She moaned as his lips closed over hers, and he was totally undone.


What exciting story are you working on next?
The third book in the Scandal series is barely underway, but I’m already excited to be working on it. It’s about a man who returns from the Napoleonic Wars, depressed and defeated, and the woman who helps him want to live again. It’s called Scandal’s Promise and will probably not be available until next year. I’m also working on my first contemporary mystery, part of my Love in Wine Country novella series and I hope to release the second book in my Mission Belles series called Return of the Fox. This series takes place in California’s romantic rancho period, just prior to the Gold Rush.

When did you first consider yourself a writer?
When I was in the fourth grade, my class visited a theme park based on the American West. I was so impressed I wrote a long poem in iambic pentameter chronicling that visit. I was eight or nine years old. During high school and college, I worked as a newspaper reporter. I guess that’s when I really felt that I was a writer, although reporting is very different from writing fiction. Because of my journalism background and my major in history, after graduation I was contracted to write several history books on local topics. It wasn’t until years later, when I was close to retirement, that I began studying the craft of fiction and sold my first novel although I had dabbled in fiction before then.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
I am now retired and my days are filled caring for a disabled spouse. My writing time is from five to eight o’clock in the morning, grabbing an hour here and there during the day. When I worked outside the home full time, I wrote during holidays and vacations. I once took a week off, holed up in a friend’s cabin, and wrote twelve hours a day to meet a deadline. I can’t do that anymore, but I’ve written entire chapters while sitting at a bedside or in waiting rooms in doctor’s offices. Writers find time in bits and pieces, even when it isn’t convenient.

What would you say is your interesting writing quirk?
When I’m working through a plot problem, I pace. Then I stand in front of the refrigerator or cookie jar and I graze on whatever is there. Then I pace some more. Then I sit down and see what appears on the screen of my laptop. I’m not sure how moving my jaws and my feet relate to stimulating my brain, but it seems to work.

As a child, what did you want to be when you grew up?
I wanted to be a cowgirl. I rode around on a broomstick (maybe my subconscious wanted to be a witch and I didn’t know it). The broom was my horse. One Christmas my parents gave me a cowgirl outfit with hat, skirt, and vest. I was six. It must have made an impression because I remember it in great detail. I’d ride around the back yard on my broom, hiding near the garage, looking for outlaws. I don’t recall having a shiny six-shooter, but at some point I acquired a tin star. I probably made it myself out of aluminum foil.

After the fourth grade I definitely wanted to be a writer, although detective was right up there when I discovered Nancy Drew. Nurse came next with the Sue Barton nurse book series.

Anything additional you want to share with the readers?
I first started reading Regencies when quite pregnant with my first child. I was told they were great ways to escape. They were and I still highly recommend books written in this period. My favorite Regency author is Mary Balogh who wrings emotion from every character. It is my greatest hope to be able to do the same. I want my readers to feel what the characters are feeling, live what the characters are living. It is a gift. I hope someday to have it.

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Thank you for being a guest on my blog!
Thank you for having me.



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