Monday, February 19, 2018

Interview with suspense author Khaled Talib


Welcome, readers. Helping me kick off a new week is author Khaled Talib. We’re chatting about his suspense-thriller Gun Kiss.

Bio:
Khaled is a former magazine journalist with local and international exposure. His articles have been published and syndicated to newspapers worldwide, and his short stories have appeared in literary journals and magazines. The author, who resides in Singapore, is a member of the International Thriller Writers. His second novel, Incognito, won the Silver award for the AuthorsDB Book Cover Contest 2017. It also received a 5-Star review from Readers’ Favorite.

Welcome, Kahled. Please tell us about your current release.
Gun Kiss begins with the Deringer that shot Abraham Lincoln getting stolen at the Ford's Theatre Museum by a professional thief. Blake Deco, the protagonist, is tasked by the FBI to go to the Balkans to retrieve it from a Russian general who purchased it. When Blake returns to the States later, he learns from a Mexican friend, Chavez, that a Hollywood movie star, Goldie St. Helen, has been kidnapped by a psychotic drug lord. After Blake successfully rescues the actress, the drug lord launches a terror campaign against them in a bid to get her back.

What inspired you to write this book?
I started jogging one morning but I couldn’t sleep that night as my legs ached. I distracted myself by watching an old movie. There was a famous actress, a blonde, in it. The actress was besotting in the movie that it inspired me to write my own story.


Excerpt from Gun Kiss:
The tall buildings around Washington, D.C.’s 10th Street overshadowed the historic Ford’s Theatre. Though the building had undergone refurbishment both inside and out, it still seemed slightly out of place in modern America. However, that didn’t stop the throngs of tourists visiting the building that June morning as wispy clouds threaded through the cerulean sky.
It was a crowded weekend day when Abraham Lincoln, in his overcoat, and two Union soldiers, their faces covered with bandanas, stepped out of the van. They meandered past the theater’s five historic doorways toward the modern glass entrance. Everyone assumed they were part of a promotion taking place at the museum. It was not uncommon to see park rangers and tour guides dressed in period costumes.
The man behind the Lincoln mask was Rick Walker—at least, that was the name he was currently going by. Highly educated, the thirty-six-year-old professional thief had a penchant for the fast life. If the assignment was a success today, he’d promised his girlfriend a nice holiday.
Two female park rangers stepped forward when Rick and his companions reached the front of the line.
“You have to get in line, sir. Also, you need to get tickets. Kindly remove the mask and bandanas before entering,” one of the park rangers said.
“I do apologize, madam, but I’m in a bit of a hurry,” Rick said. “I don’t think I need a ticket, nor do I have to get in line given who I am.”
“That’s the only way you’re going to get in,” the park ranger said.
 “Well, if you insist, madam, and once again, please accept my apologies.” Rick bowed and tipped his hat, then extended a hand to the park ranger, who instinctively took it.
Rick grabbed her wrist tightly and locked it to his own with a steel cuff.
“What are you doing?” the park ranger yelled, trying to jerk her hand away.
“Getting acquainted,” Rick said.
The park ranger reached for the walkie-talkie strapped to her belt, but Rick snatched it away from her. Frantically, she turned to the other park ranger. “Get security!”
One of the two Union soldiers dropped his prop rifle and grabbed the other park ranger’s hand, then cuffed her wrist to his own. He pulled out a real gun tucked under his waistband and aimed it at her.
Rick unbuttoned the jacket of his three-piece suit and brandished the bomb strapped to his chest.
 “Bomb! Bomb!” a young teenager in the line shrieked.
Pandemonium broke out as the screams of panic amplified. People ran in every direction. Those who moved slowly were slammed aside, or knocked over.
 Rick pulled the ranger cuffed to him aside. “We’re going downstairs, and we’re going to take the Deringer. Obey your president,” he said in a hollow voice.
“Yes, sir,” the park ranger said as beads of sweat formed on her forehead.
They descended by elevator and emptied into an interactive museum. The wealth of history in the dimly lit space featured original artifacts in glass showcases, furniture, statues, murals, and narrative devices. The visitors already in the museum scattered wildly at the sight of a man in a Lincoln mask displaying a bomb strapped to his chest, a park ranger cuffed to his wrist.
“Show’s over, folks,” Rick yelled. “Go!”
The park ranger guided her captors to a section in the museum where the Deringer floated in an oblong glass case capped at both ends with wood. A mural behind it depicted John Wilkes Booth firing a single shot at Abraham Lincoln as he sat in the theater box.
The Union soldier not cuffed to a park ranger took out a glasscutter from his coat pocket and began to cut a circle in the glass. When it popped free, he inserted his hand inside and yanked out the Deringer.
“We’re going to take you with us. Don’t give me trouble. If you behave, you’ll be back home in time for dinner with the family,” Rick said, dragging the park ranger closer to him. “Understand?”
The park ranger nodded once, nervously.
 “Excellent,” Rick said.
They exited through the theater’s main door and stepped out into the empty street. The crowd had dispersed. Some had regrouped tensely a few hundred meters away at both ends. “Cheer up—it’s going to be a fun day,” Rick said, walking toward the van.
 The park ranger with Rick raised her voice. “Please, please, let us go. I don’t want to die.”
“Well, behave and everything will be fine.” He opened the side, forced her in and jumped in after her. He shut the door after the accomplice had climbed in with the second park ranger.
The van began to move off.
“Hallelujah!” Rick yelled in excitement behind the mask as he sat at the back of the van. He removed the cuff from his wrist and secured the park ranger onto a railing.
“We’ll be arriving in five,” the driver said after a few blocks. “You know what to do.”
“I sure do,” Rick said as he removed the bomb strapped to his chest. Still wearing the mask, he looked at the hostages. “Don’t worry about the bomb, it’s fake.”
He unhooked a tote bag from the wall and began removing the contents. Facing away from the hostages, he removed the Lincoln mask and slipped into casual attire. He hid his face by putting on a red baseball cap and a pair of dark shades then stuffed the costume into the bag and swung it over his shoulder.
Rick looked again at the park rangers. “Look on the bright side—now you get to tell visitors a different story at the museum.”
The Union soldier in the back with him handed over the Deringer, which Rick slipped into the bag.
The driver slowed down and stopped behind a parked car.
“All good outside?” Rick asked.
“Yeah…all good. I parked a few cars behind us,” the driver replied, looking at the side mirror.
“Okay. Nice doing business with you guys.” Rick pulled open a trapdoor in the center of the floorboard, slid out, and slithered under the parked car in front of the van.
The van pulled away from the curb and sped down the street. After a minute, Rick rolled onto the road, got up, and walked toward the park at Judiciary Square on the Red Line and descended into the Metro.

A day later, Rick sat at a café with his eyes glued to the screen of a laptop, drinking a hot latte with his back against the wall. He scanned the faces of everyone who entered. Though he wasn’t expecting trouble, he remained vigilant.
“Is it in yet?” the tall blonde sitting across from him asked.
He scratched the roughness of his stubble as he continued to stare at the screen. “Not yet.”
Moments later, the figures on his account changed. A new deposit had been registered: ten million dollars.
Rick lifted his eyes. “Darling.”
“Yeah?”
“Remember, we’re in a public place, so don’t scream.”
She leaned forward. “It’s in?”
Rick wriggled his eyebrows. “Pack your bags. We’re going on a holiday, as I promised.”


What exciting story are you working on next?
I’m currently working on a murder-mystery set in a South Australian vineyard. For more than a decade, I handled the public relations account of the State here in Singapore. I used to visit that part of Australia regularly. It’s different from the rest of the states in terms of landscape, weather, people. I’m injecting everything into it based on my personal experiences.

When did you first consider yourself a writer?
When I was seven. I never enjoyed school, but I always light up when it came to essay writing. I knew there was something there, but I couldn’t understand what it was. My mind was talking to me. What’s interesting is that I noticed that most people in my class never appreciated stories or writing. They found it to be a chore. Yet I enjoyed creating stories, so I continued doing what I did best while ignoring the situations around me. At the end of the day you live for yourself; you are not beholden to anyone. What do you want to be? Some time back I met a school classmate that I’ve not seen for decades. He made a comment about me in my present to another – not in a bad way – and said that I live in my own world. In other words, I’m more interested in the realm of imagination and fantasy. Let me put it this way: when I look at things, whether it is a place, a spot, a painting or a person or a group of people having a conversation, I visualize it differently. For me, it’s not just now but I want to keep the scene. You know, it’s like what they say about enjoying the journey rather than wait for the destination. I noticed many people don’t appreciate that; they just can’t wait to reach their destination and skip everything in between. I, on the other hand, like to soak up everything.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
My background is magazine journalism and public relations. But I write full time these days though I still do some projects in between., the ones that I like. I don’t have a strict writing regime. I write when I feel like writing. However, I’m not the type who can just sit anywhere and write. I can’t write at a café or some unfamiliar place because it’ll make me feel distracted. It’ll take me a long time to settle it before I can even type the first sentence. I write in the morning, day and night. I don’t write when I’m tired, but my mind is always thinking about a scene. Did I miss something? Should I include this or that? It never stops until I write The End.

What would you say is your interesting writing quirk?
You’ve heard of method acting but have you heard of method writing? That’s when I step into my character’s mind and be them. I imagine their mannerisms, body language, tone — everything. Hell! I’m still punctuating my conversation with real people by saying “Amigo” to them because I haven’t debriefed myself.

As a child, what did you want to be when you grew up?
A fireman, then a detective (thanks to Alfred Hitchcock’s Three Investigators), a scientist and a movie star.

Anything additional you want to share with the readers?
If you plan to read Gun Kiss, expect the unexpected.

Links:

Thanks for being here today, Khaled.


Friday, February 16, 2018

Interview with writer Daniel Hibbert


Writer Daniel Hibbert joins me today to talk about his applied psychology book, Thunder Cloud – Managing Reward in a Digital Age.

Bio:
Daniel Hibbert has over 20 years of experience in advising businesses on reward and performance. For most of this time he has worked with global professional services firms and is now an independent consultant. He is a Fellow of the Chartered Institute of Personnel and Development and previously qualified as an accountant and tax advisor.

Welcome, Daniel. Please tell us about your current release.
The way businesses reward their employees needs to adapt for the digital age. Jobs are changing fast and employees now expect more than just financial reward. Reward is part of a complex eco-system but is still managed as if it were predictable like a clock. Because it depends on human behaviour it is often dark and volatile like a thunder cloud.

This book sets out a new way of thinking about reward. It shows how financial reward can be integrated with the psychological rewards that employees get from their work. It also shows how reward should be connected with talent management and used toengage with employees. When this is done business performance improves and the thunder cloud disappears.

What inspired you to write this book?
I had completed a 30-year career in advising businesses on how to pay their employees. It was only when I stopped that I began to understand that getting the psychology of reward right was just as important as getting the numbers right. Few people in business seem to understand this so I thought I should write a book about it.

What exciting story are you working on next?
Look out for my new book about the psychology of business decision making. In business decisions are supposed to be rational, based on research and evidence. The reality is that they are not like this at all. The driver of business decision is human behaviour.

When did you first consider yourself a writer?
When Thunder Cloud was finished and I asked people who know a lot about the subject to have a look at it. When they said it was well written I started to think I could be a writer.

Do you write full-time? If so, what's your work day like? If not, what do you do other than write and how do you find time to write?
I combine writing with my work as a Human Resources consultant. I try to write for a couple of hours each day – ideally first thing in the morning. But there is no typical day, and that’s a good thing.

What would you say is your interesting writing quirk?
I hate business jargon and go out of my way to avoid it. This qualifies as a quirk because I have to use jargon in my work so my clients can understand me. Jargon seems especially silly when you are writing a book and have the time and space to explain what you really mean.

As a child, what did you want to be when you grew up?
I spent most of my childhood hoping that I would never grow up. When I suddenly realised that I had grown up and would have to find a job my Mum said I should be an accountant because “there will always be work for accountants.” In the absence of anything better I took her advice.

Anything additional you want to share with the readers?
I just finished reading Do No Harm – Stories of Life, Death and Brain Surgery written by Henry Marsh. It’s an astonishing insight into the triumphs and tragedies of a life as a neurosurgeon. Get hold of a copy and read it.

Links:

Thanks for joining me today, Daniel.