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Thursday, July 18, 2002
Review - Hard Eight by Janet Evanovich
Fans and first-timers to Janet Evanovich, the nationally bestselling mystery writer who lives in New Hampshire, will find the eighth Stephanie Plum novel, Hard Eight, great entertainment.
Stephanie Plum is Trenton, New Jersey's favorite bounty hunter.
She's not the best at what she does, but she provides lots of entertainment for the local police department. Luck is not on her side most of the time. She relies on common sense and talks her problems over with her hamster.
Hard Eight mixes terror-filled action with humor and charm. After a few scares involving various creepy-crawlies, Stephanie tells the bad guy that she's more a fluffy rabbit sort of girl. She soon finds herself attacked by a testosterone-driven man in a pink rabbit suit and his sidekicks Bear, Nixon, Clinton, and The Bag.
Readers can enjoy Hard Eight without having read any of the earlier Plum books. All pertinent information is repeated in each book, such as who Ranger and Morelli are and what they mean to Stephanie, who Stephanie works for and how she got the job, etc. Reading the series in order mainly provides a sense of pace and a deeper understanding of how wacky Stephanie really is.
In Hard Eight, Stephanie reluctantly does a favor for her mother's neighbor, Mabel Markowitz. Stephanie knows she's probably accepting a job beyond her abilities, but she wants to help Mabel. Mabel bakes when she's upset, and her baked goods are overrunning Stephanie's parents' house.
Mabel's granddaughter, Evelyn, has taken a sudden vacation with her 7 year-old daughter and Mabel is worried that something or someone sinister is behind their departure. It could be Evelyn's nasty ex-husband. It could be the bail bondsman who tells Mabel her house is at risk because it was collateral for Evelyn's child custody bond.
Those people worry Stephanie, but they pale in comparison to war-game psychotic Eddie Abruzzi, who owns Evelyn's building and wants something Evelyn has.
Hard Eight has all the usual characters. On-again-off-again fiancÈ cop Joe Morelli appears whenever Stephanie needs a shoulder to lean on. Luscious and mysterious bounty hunter mentor Ranger keeps Stephanie supplied with cars and simply chuckles when Stephanie calls to tell him his car has exploded or been stolen by a young man she was driving to a hotel. Grandma Mazur gets quite a surprise in a donut shop parking lot this time around. Stephanie's sister Valerie is so depressed about being unable to hold a job, being a failed lesbian, and not having a man, that Stephanie helps her get a job with Evelyn's desperate lawyer, who has attached himself to Stephanie as a bounty hunter in training.
As in the previous seven novels, Stephanie continues her innocent destructive streak; it isn't her fault people keep blowing up her cars.
She also maintains her tendency to have numerous bad guys break into her apartment, follow her around, and cause her a lot of grief.
The bad guys even break into her parents' house, harassing Grandma Mazur and forcing Stephanie's mom to get violent.
What is Stephanie's ultimate reaction to all this?
"Things could be a lot worse. I could be living in New Hampshire, where I would be forced to mail order Tastykakes."
Unlike Stephanie, who is extremely happy living in the state that makes Tastykakes and thinks New Hampshire is this side of purgatory because of its lack of junk food, author Janet Evanovich and her family live in Hanover, N.H. Evanovich's husband manages Evanovich, Inc.; her son is in charge of finances, and her daughter is responsible for the extensive Web site www.evanovich.com.
A Stephanie Plum Christmas novel, Visions of Sugar Plums, is due in stores in November.
Book nine in the Stephanie Plum series is expected next summer.
Title: Hard Eight
Author: Janet Evanovich
Publisher: St. Martin's Press
Friday, July 5, 2002
Review - Sitting Up with the Dead: A Storied Journey through the American South by Pamela Petro
Sitting Up with the Dead is a travelogue and journal of writer Pamela Petro’s trips through the southern states to find storytellers willing to share tales of the Old South. In the prologue, Petro explains the spark for this novel. It was a kneejerk reaction she had to a line Tony Horowitz wrote in Confederates in the Attic. “The South is a place. East, West, and North are northing but directions.” She chose to seek out oral tales because they “are a plural endeavor; they’re the products of generations and geography and weather and all the other ligaments that bind a community together.” Once Petro knew what she wanted her project to be, she worked with friends who gave her contacts, history buffs, and the Internet to track down and meet some of America’s best storytellers.
Every chapter is about a storyteller. Not all chapters actually have a story. The people Petro meets along her journey are unique and interesting whether they share a story or not.
Petro divides the book into four sections, one for each of the four journeys she took to collect stories. Upon opening Sitting Up with the Dead, the reader stands beside Petro who “was wedged into the aisle of the plane, waiting impatiently to exit when a fellow passenger whispered uncomfortably close to my ear, ‘They say that when you die, you have to change planes in Atlanta to get to heaven.’” Petro shares her observations and realizations of her journey, as well as her thoughts and insights about each person she meets and each story she hears. With the opening “Akbar’s Tale” she describes “Listening to the slide show in the dark, empty room I had been aware of a white voice condensing and interpreting [Joel Chandler] Harris’s life. Now, here in his parlor, where Harris had been too pathologically shy to tell stories even to his own children, a black voice was conjuring new life from the briar patch for the children of strangers.”
The very first story is about Tar Baby. Remember that story from childhood? Brer Fox and Brer Bear are out to cause trouble for Brer Rabbit. Although the story is familiar, hearing it from someone who knows its origins makes it more entertaining and more poignant. For instance, the Brer Rabbit stories were “passed on within the confines of slavery from one African-American to another, these stories held a kernel of the revolution: they conveyed strategies, allowed for vicarious victories, and promised that organized systems could be overcome by cunning….Intelligence allows him [Brer Rabbit] to chose freedom by whatever means available, if he wants it badly enough: a message of hope, heartbreaking in its moral ambiguity.” The tale is entertaining for children, thought-provoking for adults.
The storytellers in Sitting Up with the Dead expertly draw you into their tales. The master storytellers are able to weave facts handed down to them through time with their own lives and make the audience believe that the entire tale is true. The storytellers are almost actors, but not quite; a few dress up in the characters they are portraying, but it’s more to preserve the persona of the character than to put on a show. The stories, no matter how incredible they sound, contain much more than a thread of truth to them. Petro “asked each teller for a story or a tale that revealed something of the nature of life in his or her corner of the American South.”
Sitting Up with the Dead is not a quick read. You’ll want to spend time with each chapter to reap the full flavor. Some stories are written in the storyteller’s speech. A great example is Ray Hick’s speech in “Ray’s Tale”: “An’ da-yoon yander then, ‘nother time, I’s a-comin’ up th’ ole’ mawntain road.” One entire trip that Petro took was to get Ray Hick’s story. He is a National Heritage Fellow. It took her two trips to find his house, as it is in a holler within the mountains of Boone, North Carolina. His house is located by a “hedgerow of junk” on an old gravel road. His story takes some time to get through, because it is in his own voice, but the Southern voice adds a sense of time and place to his story. Petro could have re-written his and many other stories in clean English, but by choosing to leave the stories in the speaker’s voice, she’s giving the reader a unique and memorable reading experience.
Although Sitting Up with the Dead is full of tales of the South it does include a link to New England: one storyteller had a “Yankee grandmother from Nashua, New Hampshire.” Petro discovers that the South is different from the rest of the country. Southerners are predisposed to storytelling because families there tend to stay put. It isn’t uncommon for kids in the South to grow up with their great-grandparents, grandparents, and parents all in the same house or very close by.
Sitting Up with the Dead is an educational, entertaining, and exciting journey through the South. It’s a great history lesson as well as an introduction to people with lots of stories to share. Pamela Petro lives in Northampton, MA, where she works as a full-time writer. Her first book, based on her personal history, Travels in an Old Tongue: Touring the World Speaking Welsh was published in 1997. She has written for the travel section of the New York Times as well as published in Atlantic Monthly, Islands, and Forbes.
Title: Sitting Up with the Dead: A Storied Journey through the American South
Author: Pamela Petro
Publisher: Arcade Publishing